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Lincoln Calling: Desert Noises & The Kickback

iCal Import

Thursday, October 17th
w/ Rock Paper Dynamite & Skypiper
Doors: 9 p.m. || Show: 10 p.m.
$8: 18 and up

Desert Noises

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Desert Noises is Kyle Henderson, Tyler Osmond, Patrick Boyer, and Brennan Allen, four adventurers from Utah Valley, UT. Ask about their recent musical influences, and you’ll extract a litany on the riches of Tom Petty, Fleetwood Mac, and Tame Impala. If it seems an unlikely trio of choices, it simply means that you haven’t yet become acquainted with their propulsive, jangle-rich breed of rock ‘n roll. Desert Noises make music for shouting into canyons, jumping into rivers, and getting married to the wide-open road. With a strong maturity in their songwriting, they conjure the majesty of the American pastoral landscape.

While one can pick out definite strains of blues and Americana, their often-ferocious delivery and penchant for shredding guitars elicits a powerful transcendence into psychedelic rock. This is felt most strongly in their live performances, where they harness their visceral energy in new ways each night.

Desert Noises work with an emotional palette that is sophisticated beyond their years, as front-man Kyle Henderson translates melancholy, longing, and regret into lyrical fables like a seasoned troubadour. He seems to be howling into the vastness with all of his might, romancing his hopelessness and taking comfort in open spaces.

These four young men are enchanting hearts across the country, having shared the stage with such notable contemporaries as The Head and The Heart, Local Natives, The Morning Benders, Blitzen Trapper, Miniature Tigers, and Pepper Rabbit. With their gaze set enthusiastically into the future and a new album on the way, the chronicle of Desert Noises is just beginning to unfold.

The Kickback

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Familiarizing oneself to The Kickback may seem like an exercise in confronting consistent sets of seemingly opposing ideas: A band that prides itself on its love of Muppet Christmas specials and youthful naiveté but has no problem admitting to a paralyzing fear of death and decline. The group seems to strive for brutal honesty, all-the-while realizing they’re a pop band playing pop music. Even the membership of the group itself may seem odd: one-half brothers from South Dakota, one-half Chicago transplants from Washington D.C. and Mexico.

Comprised of brothers Billy (vocals, guitar) and Danny (drums) Yost, Eamonn Donnelly (bass) and Jonny Ifergan (guitar), Chicago’s The Kickback is a result of the brothers’ emigration to The Windy City from rural South Dakota in late 2009 and the subsequent Craigslist pleas seeking out band members. The group’s music (with songs exploring journalists banding together in the early 1980s to battle the decline of print journalism through sheer ultra-violence to the emasculation of trying to protect the woman you love in a city you don’t understand in a body you know is eventually going in the ground) have earned the group wide praise from Rolling Stone, Sound Opinions contributor Jim Derogatis, You Ain’t No Picasso, the Chicago Tribune, and many more.

After a steady two years of touring and supporting acts like White Rabbits, Smith Westerns, Here We Go Magic, Tapes ‘n Tapes, and Telekinesis (all-the-while earning a reputation as a stellar and explosive live act), the band has released Kill Fee, an EP of live takes and studio recordings in the Fall of 2012. The group is currently working on their debut LP at Public Hi-Fi Studios with Jim Eno. Tentatively titled Sorry All Over The Place after a footnote in David Foster Wallace’s Infinite Jest, the group hopes to release the album sometime in early 2014.

To document their travels, the band began recording their podcast, DISASTOUR, in December of 2010. They are nearing their 80th episode. The show attempts to address the far-from-glamorized lives of a band on the road and the arrested development indicative of the lives they have chosen.