Friday, October 4th
w/ The Renfields
Doors: 8 p.m. || Show: 9 p.m.
$5: 21 and up || $7: 18 and up
Cheyenne Mize’s forthcoming release, Among The Grey (Yep Roc), fulfills the promise hinted at with her debut, Before Lately (sonaBLAST!), and subsequent EP, We Don’t Need (Yep Roc). Whereas Before Lately was a slow-burning, introspective, meditative affair, We Don’t Need offered an expansion of her sonic palette and left listeners wanting more. Among The Grey stands strong as a cohesive artistic statement, once again showcasing Mize’s multi-instrumental and arranging skills.
The songs on Among The Grey were written during a relatively short period of both explosive creativity and harrowing self-doubt. Says Mize, “In the midst of this generally positive time I was struggling with huge questions about my life. I had the impression when I was younger that there would be a point in life when all of the sudden I would be ‘grown up’ and have it all figured out. Among the Grey comes from this idea that most of our lives are lived in the in-between places instead of the destinations. Fortunately the good stuff is in the middle, in the process. In that grey area is where you find those little sparks or dashes of color that make it all interesting and worthwhile. The record is like that; it’s dark at times, but has a lot of sparkle to it.”
For Among The Grey Mize worked with a group of musicians who had been touring companions: JC Denison on drums and percussion, Emily Hagihara on bass, percussion and backing vocals, and Drew English on guitar. They tracked the core of most songs live, allowing what she calls a “raw and person-driven sound. Having that human element and letting the songs develop organically was very important for me. In a way I forced my musicians to go in somewhat blind. So much energy comes with not being prepared.” Mize credits recording engineer and co-producer Kevin Ratterman – who has also engineered My Morning Jacket and Andrew Bird – for crafting many of the sounds on the record, while also playing some drums and guitar. Mize also enlisted the help of several local musician friends (including her former touring partner Ben Sollee on cello), adding strings, horns, and more vocals to round out the sound.
Sonically Among The Grey is finely polished, and flows naturally between soft and intimate, laid back and lilting, stormy and intense. Mize is equally at ease winding melodies around almost ambient shimmering atmospherics as she is belting out lines over a locked and loaded rhythm section. Recording on the grounds of a church in Louisville, the band took advantage of their access to unique spaces. Using their environment to shape the sounds for each song, they recorded in the gymnasium for soaring guitar tones, the sanctuary for choir-like backing vocals and huge drum sounds, and even the basement, where they found the items used for the unsettling percussion on the song “Give It All.”
Lyrically, Among The Grey moves between buoyant positivity, wistful melancholy, and proud, almost angry defiance; yet all of the songs share a particular intensity of emotion. Interestingly, Mize sculpts her lyrics to fit the energy of the music she’s written. “Being trained as a music therapist, I play from a really emotional perspective. So most often I am playing with an idea, and once I have those sounds and patterns figured out I start to translate the feelings that are embodied by those sounds- they solidify in my mind from emotions and moods to actual words.”
Though Mize writes from a deeply personal perspective, all the things she speaks to on this record are very much universally human. “The last chorus on the record – I wouldn’t go back – kind of sums this up. As much as we look on the past (fondly or not) we don’t want to go back because where we have been is what makes us who we are– at some point we have to be okay with the process that has brought us to this moment.”
Mize introduced herself internationally on the 10″ release Among the Gold with Bonnie “Prince” Billy – an inventive take on a variety of late 19th century American parlor music. After the release of her debut Before Lately in 2010 (which The New York Times described as “sweet without being cloying, weary without hopelessness”), and subsequent performances at South By Southwest, Mize was chosen by NPR as one of their ten “Discoveries at SXSW 2011.” Among The Grey is her third solo release. Mize resides in Louisville, KY.
Initially establishing himself as vocalist of indie cult favorites Eagle Seagull (a band that Florence Welch championed and who toured with Tokyo Police Club and B-52’S), Eli Mardock’s penchant for dramatic and dream-like songs earned him a legion of followers over the past decade. Following on the heels of two highly regarded solo EP’s released in the past year (Feb 2013’s Hamburg and 2012’s NE Sorrow is Born), Everything Happens For The First Time is the denouement towards which the first acts have been working.
While the previously released EPs were the sole output of Mardock playing all instruments and producing (his effort to bring it back to basics after the “too many cooks” scenario of his former band), the new LP sees Mardock enlisting former Eagle Seagull drummer Andrew Tyler (on six of the tracks) and former Eagle Seagull keyboardist/violinist (as well as Mardock’s current wife) Carrie Butler. In addition to incorporating string arrangements, Butler adds a vocal assist to the almost Stereolab-esque “Algebra And The Moon.” The third outside contributor to the album is Justin Gerrish, who was entrusted with mixing duties and has worked with such notables as Vampire Weekend and The Strokes.
Speaking on the new LP, Mardock says “Most of the songs on this album were begun or written while Eagle Seagull was stuck in major label limbo. I wrote and recorded a lot of these songs while I was transient, including my living spaces in Omaha, Seattle and Boston. In some cases, the first demo take was the one I ended up using, such as on the song “King Of The Crickets.” In other cases, I stripped down and re-worked the songs more than ten times until I was satisfied with what I put out.”
Earlier this year, Mardock and his live band (which included Butler and Tyler) played SXSW. While there, he turned the heads of Zimbio, Buzzine, and Red Light Radio, who proclaimed him an “Act To Watch” for 2013. A video for the track “Cut Me Open” (off of NE Sorrow Is Born) gained a lot of attention and helped the song receive over 18,000 digital downloads.